Chaos Reigns: Women as Witches in Contemporary Film and the Fairy Tales of the Brothers Grimm

Authors

  • Annette Schimmelpfennig

DOI:

https://doi.org/10.18716/ojs/gefo/2013.2601

Keywords:

Christianity, witches, hollywood, commercialisation, Hansel and Gretel, Snow White and the Huntsman

Abstract

The image of the witch is etched on the memory from childhood on, characterised by her portrayal in fairy tales and shaped by popular culture, especially contemporary film. Although of pre-Christian origin, and exploited during the peak of the witch-hunts from the late 15th to the middle of the 18th century, the belief in witches has barely forfeited its sometimes dubious popularity. While the commercialisation of other magical and monstrous creatures such as vampires, elves and werewolves follows the trend of Hollywood marketing experts and the development of youth culture, the witch appears to be a constant fictive companion in bed-, child’s and living rooms. Be it as animalistic grandmother-gone-bad in the Grimm’s Hansel and Gretel or as narcissistic queen in the form of Charlize Theron in Snow White and the Huntsman, the depiction of female witches is versatile.

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Published

2013-12-12